I love the original machine heads with their bone buttons and the brass medallion on the back of the head is just beautiful.
I was raised with this brand, my first guitar was a Levin and even though they might be worth what they deserve in the rest of Europe, the cheaper models can still be found on yard sales in Sweden for close to nothing. I’ve also had a lot less feedback issues with the Lyrics, the M80 has been a nightmare with a full band on stage. I’m not sure how they managed to loose most of the lacquer on the back of the neck but that was easily filled in with a couple of layers of Nitrocellulose lacquer. Nickel plated strip tuners with plastic buttons. [Source: Goyaguitars] Levin/Goya information pages Sweden.
The stamp on the right side is from Frälsningsarmén, The Salvation Army in Stockholm. I first thought I was a mahogany back and sides type of guy, then I believed that rosewood was really my thing, when the truth is that I was a flamed maple guy all the time, who would have guessed? “Goya” guitars brand started in 1954 by the Hershman Musical Instrument Company of New York (Goya Guitars Inc.).eval(ez_write_tag([[468,60],'jedistar_com-box-3','ezslot_2',116,'0','0'])); Distribution went to Kustom Electronics Inc. in 1970 and then to Dude Inc. (both of Chanute, Kansas) in late 1972. Fingerboard width: 43 mm, scale length: 630 mm Rosewood bridge, matte natural finish and one year warranty, Now I actually have all three, the Levin LT-18, well it’s a Goya T-18 but close enough, my dad’s old Levin LT-16 and this new little Levin LT-14. Find the current Blue Book value and worth of your new and used guitars, both acoustic, electric and amplifier. I will measure and shoot some pictures to post. Serial number 123817, both of the Goya guitars are Birch that has been stained.
See my "Inside Story" and "Goya Information" pages for more details on the history of Goya guitars. The number one source of guitar and amplifier pricing and information so you can find the price and value of your used guitars and amplifier. Fingerboard width: 43 mm, scale length: 630 mm The guitar sounds pretty damn amazing, not as strong in the mid-range as the 1968 Levin LT-18, especially not after I changed the bridge to ebony, but the highs are great with really nice overtones. Now I’m the proud dad of seven, 3 Levin LT-18, 1 Levin LS-18, 1 Goya T-18, 1 Goya T-23 and 1 Levin 174, they are all the same model with the same specifications, it’s just small details that have changed over the years. Copyright 2007-19 P Carroll Jedistar | All Rights Reserved | GAS: Guitar Acquisition Syndrome, Galaxy guitars 2 makes from USA and Canada. Grand Concert size: Body width: 360 mm, body length: 465 mm, body depth: 98 mm I’ve had a LR Baggs Lyrics installed in my Japan made Sigma DR-41 for about two years but I never really use that guitar since I have so nice Levin guitars to play on. This website uses cookies for functionality, analytics and advertising purposes as described in our. Mahogany bolt-on neck with adjustable truss rod Help Identifying a Goya Classical Guitar ... Pre 60's! I must have done something right lately because I’ve been very lucky when it comes to guitars, both these Levin LT-18 was actually offered to me, the sellers had seen my blog and contacted me to see if I was interested in buying them and of course I was. Thank you for the info and help guys ... very much appreciated. Levin LT-14 / Goya T-14 The old Levin factory on Norra Larmgatan 4 in Gothenburg, Sweden, around 1920.
I have my mother's old Goya G-10 classical guitar. Anyone else have one? There are actually no scratches to the top, that’s just in the grain of the spruce. Metal truss rod cover with a star and “1900”, nickel plated tuners The Goya guitar brand definitely did not occur before 1952. Goya guitar serial numbers The back and sides are made of birch that is painted to look like Brazilian rosewood. The G-10 is figured birch, not maple as are a lot of Gibsons before the 1930s.
I guess the more you play them, the better they sound. We have to remember that Levin had produced 500,000 guitars by 1970, something that C. F. Martin & Co completed in 1990, so there are still quite a few lying around in peoples attics in Sweden. I will try to carve a new bridge in ebony as soon as I get time. I did, it took 10 days. I bought it about two weeks ago from a guy in Heidelberg, Germany and then it got stuck in some warehouse over Christmas until the Spanish post service could be asked to deliver it. I have liked some of my Levin guitars less and then one day they surprise you and just sound amazing. There was quite a lot of work to do on this when I first got it. It’s just that some of them feels a bit too well kept for the dangers of having them in bars around drunk people, and myself slightly intoxicated hitting them harder than I should because I play with a loud band and can’t hear myself properly and such, you all know how it is. Levin LM-26 / Goya M-26 I’ve been trying to find another Goliath sized Levin for the past 3 years without much luck, except for the lovely 1968 Levin LT-18 that I found a couple of weeks ago. Rosewood finished back and sides with an orange finished top. I was super lucky and managed to win this Model 3 on an auction the day before Christmas, perhaps that’s why the competition wasn’t so fierce. Serial numbers can be useful in determining the production year of a guitar or amplifier. I’ve tried my best not to buy more guitars, hence why I’m selling most of my Japanese acoustics. Ebony bridge, metal Levin truss rod cover, natural finish and ten year warranty. It’s the first time I get a 50 years old guitar home and I have to do nothing to it. For being one of Levin’s cheapest models I think it’s an amazing guitar and it looks stunning in it’s simplicity. Unbound rosewood fingerboard with bass side dot inlay I thought that was a little too old and. Fill all the dents and marks on the back of the neck with Nitro lacquer and then sand it smooth. I always thought that the G-10 had a slimmer neck than other Goya classicals. This Levin is loud, clear and warm at the same time, even though it’s ladder braced. I’m not sure why there aren’t more of these around in Europe, perhaps people refuse to sell them or they all got badged like Goya S-18 and shipped off to USA. Levin Model 3
Brass frets, brass tuners, pyramid bridge, bridge pins and strap button with mother-of-pearl inlay. This Levin LT-18 was apparently owned by Brian Griffiths from The Big Three, a Liverpool band that was active during the days of The Beatles. 2016 might have been the worst year ever when it comes to good musicians dying, last out was Leonard Cohen who meant so much for me in my late teens. A great way to improve the tone of your acoustic guitar and to get it to open up is to use a normal air pump from a fish tank to give the top a massage. It sounds way better than I expected. Mahogany bolt-on neck with adjustable truss rod Sunburst finish and ten year warranty, Marketed by U.K. distributors as Goliath Model 1795. Levin LT-18 Made in Sweden 1966. Single-bound ebony fingerboard with with centred pearl dot inlay. The Goya brand went to Martin Guitars in 1974, the year they acquired Levin, and lasted until 1996. I’ve had a couple of early German parlours at home and they have sound very thin, weak and boxy somehow. This 1963 Levin LT-18 has spent it’s life in Ireland and came to me from a guy called Fintan. The 3/4 size G-10 Goya's are very difficult to find.. How many G-10 3/4 size did they make? I'm Shocked! A day or two with the pump is like months of actually playing. The Goliath sized Levin collection so far: Levin LS-18 (1960), Levin LT-18 (1963), Levin LT-18 (1966), Levin LT-18 (1968), Goya T-18 (1966), Goya T-23 (1966). I assume a lot of songs about Jesus has been played on this guitar over the years. These Goya guitars were made in Japan, Korea and Taiwan. The problem after 1967 is the new invention of Levin, the individual height adjustable plastic saddles, I hate them. Fingerboard width: 43 mm, scale length: 630 mm Unbound walnut fingerboard with mother-of-pearl dot inlay i have a Goya F-11 #134927………can anyone tell me the year? I also don’t like the look of a rosewood bridge to a ebony fretboard, they should match. This is my 10th Levin, or 11th if you count a Levin LS-16 that I have waiting for me in Sweden. Now I have one Levin LM-26 built in 1963 and two from 1959, well they actually both has a body stamped in 1958 but with a 1959 neck, not sure if they did a lot of bodies one year and necks the next. In the past (before 1976) the serial numbers were often randomly assigned.
As a result of the overlap between years, Fender serial numbers are also not by definition chronological. It looks like the back has been removed and glued back at some point so I guess someone has re-glued some lose braces. Two weeks ago I got myself another Levin LM-26. I have seen a couple on eBay in the UK but the sellers always want £1000 for them which for me as a Swedish collector is way too much. http://goyaguitars.tripod.com/goya_g10_insert_1958.htm, http://www.vintage-guitars.se/Levin_info.htm, http://www.vintage-guitars.se/Goya_serial_numbers.htm. It has been an extremely good Christmas, not only did I manage to find a 1979 Fender Stratocaster, I also received a little Levin LT-14 from 1965. The guitar has been used playing anything from jazz, Mississippi blues to Celtic folk and now country, read Ian’s guitar history. Although a serial number is useful for roughly determining the age of a guitar, this is often not the exact date. I would like to know the year of this guitar. Having said that, if a Levin LT-18 shows up on eBay and the seller contacts me via email, after a couple of shamefully low best offers from my part, and I happen to lie at home with pneumonia, it was just impossible to resist. I reset the neck and cleaned it up and now it both sounds and plays great. Levin LT-18 / Goya T-18
The best source of information for Goya and Levin is without doubt the Levin pages at homepage of Vintage Guitars in Stockholm.
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