In any case, in a “perfect” world, wigwearing Texans making music that sounds like it was retrieved from a nightclub in pre-revolutionary Iran wouldn’t be quite such a big deal. The result of the trendsetters’ thirst for the obscure and experimental means Thundercat’s quaalude jazz and Goat’s psychedelic antics are now quasi-mainstream. Available for everyone, funded by readers. “It rains, you hear birds and cows. “Pelota is just way more fun to sing than ‘ball’. But to a less sympathetic ear, there is an unavoidable similarity to the extended, self-indulgent jam portion of an Eric Clapton show before he plays the final verse of I Shot the Sheriff. It would be easy to label Punisher as a sad album, because it is, with heartache and despondency always within an arm’s reach. Usual YT rumbling led me to these guys and I dig it, jazz bass with chromes … Press J to jump to the feed. We’ve been on the road constantly and it’s certainly helped our growth and success, but now we can see what The Beatles were talking about.”, After the Fab Four quit touring in 1966 they had the brain space to get to Sgt. The eclectic beats, largely provided by chameleonic producer Jae5, avoided the usual bombast for something understated. All rights reserved. “August 10 is named for the day that we wrote it. Former Maccabees frontman Orlando Weeks took a mature step away from his indie-rock past on his debut solo album, supplanting it with soft, cloudy atmospheres. Carrying on from Texas Sun, a gorgeous standalone EP which they released with Fort Worth soul singer Leon Bridges in February, vocals appear more prominently. More than anything though, this was something defiantly fun, a heartening reminder that there are brighter times ahead. Maybe you’re in the middle of a perfect take and the train goes by so you have to start over. Parker’s lyrics were typically conflicted, stuck between past and future, but musically, he’d never sounded so assured.
“Eat. 33. Drummer Donald Johnson taps out lackadaisical funk grooves. This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. 7.7k. The new music, though still led by the heavy groove of Lee’s bass and Speer’s ringing, exotic guitar lines, achieves a sharper focus here and there. Another album to ease the pandemic blues, Laura Marling had initially planned an August release, but brought it forward to April. The Infamous Bill is called that because the drum break we sampled for the demo was from a Bill Withers song, and A Calf Born in Winter was titled for a calf that was born on the property where the barn is.”. Painful, prescient, and hugely powerful. Dearest Alfred lifts its lyrics from letters discovered by Lee’s family from her grandfather to his brother. It’s nice when things aren’t perfect,” says Lee.
“Last year I was feeling really lost as a human.”, The new album is named Mordechai, after a new friend that Lee made while on a decompression camping trip last year. The barn is where they make all their music. That’s life. Donald “DJ” Johnson, usually at the back behind a drumkit, somehow avoids this requirement, perhaps because he barely speaks, so is unlikely to draw extra attention anyway. Nobody gets into making songs that sound like a late-Seventies Bollywood soundtrack for the money. Followers 5. Refrains from Leon Hayward’s I Want’a Do Something Freaky to You and Kool & the Gang’s Summer Madness emerge between form-free poolside grooves from their recent second album, Con Todo el Mundo, but it’s not until the lacklustre disco of Evan Finds the Third Room and the spectral soul of 2015’s White Gloves round out the set that they come within sighing distance of a coherent song structure. Bassist Laura Lee sways like a human glitterball, occasionally sighing mistily. With that gnarly name (Khruangbin is pronounced “Krung-bin” and means “airplane” in Thai), and largely instrumental guitar music that takes its inspiration from India and the Far and Middle East, it’s easy to believe the claim that they aren’t fame-hungry musical mercenaries. That isolation, away from the conventions of recording, goes some way to explaining their unorthodox sound. Mordechai is released on June 26 on Dead Oceans. Khruangbin is a three-piece band from Texas, formed of Laura Lee on bass, Mark Speer on guitar, and Donald Johnson on drums. It’s wonderful sex muzak for Mac DeMarco fans, but it’s not entertainment. Follow reddiquette when creating a post or comment. Drummer Donald Johnson taps out lackadaisical funk grooves.
“I’m never going to tell somebody that their interpretation of a song is wrong,” adds Speer.
“I feel like every time is equally bad and good to release,” says Speer. It was minutely intimate — “I’ll be your blood sugar”, he pledged to the unborn child — with his vocals at their most tender and innocent. For this conversation he’s disguised himself still further by sitting in a room lit by one dim red bulb.
Before this, eight years had passed without any new original music. All our journalism is independent and is in no way influenced by any advertiser or commercial initiative. Does anyone know of any other music they’ve put out besides everything on Discogs? For Khruangbin, it sounds more like they needed the stillness for their own sanity. I want to be able to live a normal life. Pelota is out this week. Arriving five years after her debut, she had finally found her voice — quite literally, shunning the over-produced vocals of before — and a winning musical formula: retro-tinted dance pop, pairing the throbbing echoes of Chicago house with sharp modern melodies. Georgia’s exhilarating second album landed back in January (oh, those halcyon days) and was the sound of an artist brimming with new-found conviction. It was a shot at writing something timeless, taking strands of classic disco and Eighties synth-pop and putting them through a slick, modern filter. “He invited me to take a walk with his family because he could see that I was having a hard time, and he was like a little light in the darkness for me,” she explains. Both bassist Laura Lee and guitarist Mark … When Killer Mike, one half of Run The Jewels, wrote Walking In The Snow (“You so numb, you watch the cops choke out a man like me”) he was remembering the tragic death of Eric Garner in 2014. Last modified on Thu 26 Mar 2020 12.45 GMT. “I was in Houston briefly and saw DJ’s and our engineer’s cars and Mark’s truck all parked together — though they weren’t there — and immediately started crying,” says Lee. It’s a densely lyrical album, a poetic and historical tapestry, proving that, at 79, the Nobel Prize-winner is still at the peak of his songwriting powers.
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